Each work starts with the desire to capture what can barely be touched: a feeling, an emptiness, a suspended fragment of time.
I work with layers and transparencies, in the space between what is visible and what remains hidden
between matter, memory, and doubt — unfolds the tension that draws me in.
The gesture, a coincidence, an intention: all take part in a search without fixed answers.
My work does not aim to tell a real story, but to open a crack. A pause. An invitation to look more slowly.
Flower Final
closing the quadrature
19. “Poppy takes care of you”
The baby looks at someone you can’t see, someone who projects its shadow that the baby doesn’t see, everything is a matter of perspective. In the end, it’s not such a big deal.
20. “Wild Chicory above all”
Are you, are you not, do you see, don’t you see, do you hear or don’t you hear, but you definitely don’t speak up. You can always whistle if you need something, Cory does its own thing.
Flower Series 3
Letting go
13. “Poppy lets itself be seen”
When the first petal falls, the wind carries it away, and finally, it flies high, so calmly within the noise of the storm.
14. “Cory climbs Aalto”
It didn’t matter where, the waterfall is good for a ladder, and when it went, it left some very insignificant flowers on both sides. Do what you want, I’m out of here.
15. “Sunflower goes away but keeps thinking”
Sometimes there’s no middle ground, just big jumps. The numbers hardly bother anymore, the petals turned to flames, the beast woke up, it’s got it all to go running.
16. "Liberated Tulip"
Finally, the moment has come to let it all go and enjoy - wildly, screw it all. It feels so good not having to fit in, form patterns, or please. Even if what’s underneath shows, who cares? We’ll clean it up later.
17. “Rose, come on let’s go”
It’s okay, everything has its place, sometimes you remember but don’t understand, sometimes you understand but don’t remember, sometimes you neither remember nor understand. When you understand and remember, then it's time.
18. “Lotus gets lost”
Too much thinking isn’t necessary, sometimes useful, but most of the time it’s enough to observe and act with the confidence that you already know what needs to be known at that moment. The fish is surely bluffing.
Flower Series 2
The landscape within
7. “Poppy tries to levitate”
It thought that by moving its petals really strong, it could move upward. It forgot it had roots beneath the ground - warm feet come at a cost.
8. “Cory crosses borders”
Approaching the intersection, it's unclear who has the right of way, and in doubt, it doesn’t stop. Going cross-country is more fun, and with hair flowing, the wind takes the best part.
9. “Sunflower plays alone”
It struggles to count, the numbers dance, there must be some meaning to it, but it slips away. The numbers are too complex, 5 spirals of 100 each, who’s ever going to notice?
10. “Tulip breathing”
Here there’s still much movement beneath the surface, but with patience, one can appreciate a certain beauty, a certain internal garden, with its prickly mess, but still, a garden. It seems very hot outside.
11. “Rose waits impatiently”
Thorns and strips, push and pull, seeds sprout and don’t know if they’ll see the sunrise. It could be so precious, but it didn’t want to show its face - sideways, just in case, let others figure it out.
12. “Lotus touches bottom”
A book with very ugly, horrible things, it happened, and stranger things have happened. Better let the water flush it away, fear clings. Floating is also a bit like flying.
Flower Series 1
start
1. “Poppy has a visitor”
The first of all, starting with some innocence: a graphic icon representing a generic flower, ended up acting silly, and in the end, it wanted to be a poppy with 5 petals.
2. “Cory takes advantage of the wind”
It tries to tell a story but can’t remember. Here it makes its way through a crack, asks questions but gets no answers, time passes, and so does the breeze.
3. “Sunflower counts the drops”
The first layers are wild, strong, big gestures that leave their mark on the surface. Then, layer by layer, the image emerges, the flower only finely imprinted on top of everything, unsure if it truly is.
4. “Tulip reveals its undercolor”
The most complicated of all, very protective and hard to reach, distant. It opens unwillingly, can’t help it, terribly theatrical, but shy. This one isn’t going anywhere.
5. “Rose looks away”
At first, it says nothing, it’s very pretty but shallow, so decorative, yet no one wanted it. It decided to look inward.
6. “Lotus in an instant”
Nothing much to say, it floats and moves slowly with the currents. Once it was sacred, now it’s only appreciated for its pretty face.
Portraits:
Others:
